He is seen carrying a double bass as he climbs onto a train.
A crew was dispatched to Yugoslavia to do background shots, but when the Yugoslav police accidentally discovered that they were not well-portrayed in the script, they kicked the crew out of the country, and Black scrapped the project. A year later, Hitchcock could not come up with a property to direct to fulfil his contract with Black, so he accepted when Black offered The Lost Lady to him.
Hitchcock worked with the writers to make some changes to tighten up the opening and ending of the story, but otherwise the script did not change much. Lockwood was attracted to the heroines of Ethel Lina White 's stories, and accepted the role.
Michael Redgrave was also unknown to the cinema audience, but was a rising stage star at the time. He was reluctant to leave the stage to do the film, but was convinced by John Gielgud to do so. As it happened, the film, Redgrave's first leading role, made him an international star.
The two never worked together again. In The Wheel Spins, Miss Froy really is an innocent old lady looking forward to seeing her octogenarian parents; she is abducted because she knows something without realising its significance that would cause trouble for the local authorities if it came out.
Iris' mental confusion is due to sunstroke, not a blow to the head. In White's novel, the wheel keeps spinning: Additionally, the supporting cast differs somewhat; for instance, in the novel, the Gilbert character is Max Hare, a young British engineer building a dam in the hills who knows the local language, and there is also a modern-languages professor character who acts as Iris's and Max's interpreter who does not appear in the film.
The cricket-obsessed characters Charters and Caldicott were created especially for the film and do not appear in the novel. The plot has clear references to the political situation leading up to World War II.
The British characters, originally trying their hardest to keep out of the conflict, end up working together to fight off the jack-booted foreigners, while the lawyer who wishes to negotiate with the attackers by waving a white flag is shot.
Reception and legacy[ edit ] Critical response[ edit ] When The Lady Vanishes opened in the UK it was an immediate hit, becoming the most successful British film to that date.
It was also very successful when it opened in New York. In his review for the BBC, Jamie Russell gave the film four out of five stars, calling it a "craftily sophisticated thriller" and a "cracking piece of entertainment".
The story is blessed by great characters and many witty and imaginative touches, in particular the conceit by which the passengers are each given selfish motives for refusing to verify Iris' story. As well as the chemistry between the two leads, the film has some of Hitchcock's best character parts, with Basil Radford and Naunton Wayne particularly good value as the cricket obsessed Charters and Caldicott.
Charters and Caldicott The humorous characters Charters and Caldicott proved to be so popular that they were featured in three somewhat related films that were made by other writers and directors. Night Train to Munich was the first of the three and was directed by Carol Reed.
The duo also appeared in in Crook's Tour written by Barbara K. Emary and directed by John Baxter. The last film to feature the Charters and Caldicott characters was Millions Like Uswhich was once again written by Gilliat and Launder, who also assumed the role of directors.
Hitchcock had nothing to do with any of these films, and had moved to Hollywood by the time they went into production.The very first scene when Bruno meets Guy, Bruno is depicted as a baddy by having shadows of blinds cast across his face. These symbolised the bars of a prison.
The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs. Reviews of film DVDs, including Chaplin, Antonioni and the Marx Brothers. Archives and past articles from the Philadelphia Inquirer, Philadelphia Daily News, and monstermanfilm.com Strangers on a Train is a American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the novel Strangers on a Train by Patricia monstermanfilm.com was shot in the autumn of and released by Warner Bros.
on June 30, The film stars Farley Granger, Ruth Roman, and Robert Walker, and Music by: Dimitri Tiomkin. Alfred Hitchcock's, Strangers on a Train reinforces the duality of human nature and effectively transforms a highly improbable situation into a .